“On a given day, a given circumstance, you think you have a limit. And you then go for this limit and you touch this limit, and you think, ‘Okay, this is the limit.’ As soon as you touch this limit, something happens and you suddenly can go a little bit further. With your mind power, your determination, your instinct, and the experience as well, you can fly very high.” - Ayrton Senna
Liberty’s Flameout
The New Yorker cover for February 13 and 20, 2017—their Anniversary Issue, marking ninety-two years—features John W. Tomac’s dark, unwelcoming image, “Liberty’s Flameout.” “It used to be that the Statue of Liberty, and her shining torch, was the vision that welcomed new immigrants. And, at the same time, it was the symbol of American values,” Tomac says. “Now it seems that we are turning off the light.”
Gorgeous poster tributes to Christopher Nolan’s Dark Knight trilogy by artist Krzysztof Domaradzki.
The 3D work of Jan Kalab from Graffiti to Abstract
When Jan Kaláb was born in 1978 in Czechoslovakia, graffiti was not to be seen in the Eastern World. In the nineties, as the country was opening itself to western influences, he became one of the pioneer of the local scene, and founded an iconic crew, the DSK. Sleepless nights around train yards, light tubes at police stations and above all hard work on his style: he went through all the classical steps of a writer’s career. Through Europe, he made a name for himself as Cakes.
More unique art on Cross Connect Magazine:
Posted by Andrew
Illustrations by Emiliano Ponzi
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